Donna tree 3
Tuesday, February 9, 2010
Sunday, January 31, 2010
Lineage Poem By Margaret Walker
interdisciplinary seminar on "Memory and Identity
An interdisciplinary seminar on "Memory and Identity " On a proposal
Members of the Society of Psychoanalytic Criticism (SPC), the Foundation presents a seminar in Isec calls on memory and testimony as part of personal and collective identity. It is designed as an occasion for scholars and students of psychoanalytic themes of history and social sciences.
The seminar will be introduced by the reports of Dario D'Andrea (SPC) and Louis Ganapini Foundation (ISEC) and will consist of the following topics:
• The invention of tradition (taken: Adriano Voltolin, Memory and its transformation) ;
• Meaning of memory and identity construction of a memory (intervenes Mario Cirla)
• Reflections on the memory of Primo Levi in \u200b\u200b"The Drowned and the Saved" (intervenes Marina Ricci)
• The monumentality of the Resistance (Franco Romano, Reflections on memory bipartisan)
L 'initiative is not rigidly structured, and its performance is very open: the relationship of departures will be carried out by members of the Society of Critical Psychoanalysis and other scholars will take part in a very clear, bearing in mind that the theme of memory and the testimony is now being impressive multiplication. It should also be noted that the materials are on the way to use some respects improper, which sometimes seems to replace the memory to history and any other discipline suited to reconstruct the past and the identity of a country.
have joined and confirmed their participation: Maurizio Antonioli (University of Milan); Maria Barbara Bertini (State Archives of Milan), Giorgio Bigatti Foundation (ISEC), Luigi Borgomaneri Foundation (ISEC), Alfredo Canavero (University of Milano), Aldo Giannuli (University of Milan), Giuseppe Micheli (University of Milan Bicocca) , Stefano Musso (University of Torino), Marco Soresina (University of Milan).
The seminar will be held at:
ISEC Foundation, Villa Mylius, Sesto San Giovanni (MI)
Saturday, February 27, 2010 - 14.30. 
An interdisciplinary seminar on "Memory and Identity " On a proposal
Members of the Society of Psychoanalytic Criticism (SPC), the Foundation presents a seminar in Isec calls on memory and testimony as part of personal and collective identity. It is designed as an occasion for scholars and students of psychoanalytic themes of history and social sciences.
The seminar will be introduced by the reports of Dario D'Andrea (SPC) and Louis Ganapini Foundation (ISEC) and will consist of the following topics:
• The invention of tradition (taken: Adriano Voltolin, Memory and its transformation) ;
• Meaning of memory and identity construction of a memory (intervenes Mario Cirla)
• Reflections on the memory of Primo Levi in \u200b\u200b"The Drowned and the Saved" (intervenes Marina Ricci)
• The monumentality of the Resistance (Franco Romano, Reflections on memory bipartisan)
L 'initiative is not rigidly structured, and its performance is very open: the relationship of departures will be carried out by members of the Society of Critical Psychoanalysis and other scholars will take part in a very clear, bearing in mind that the theme of memory and the testimony is now being impressive multiplication. It should also be noted that the materials are on the way to use some respects improper, which sometimes seems to replace the memory to history and any other discipline suited to reconstruct the past and the identity of a country.
have joined and confirmed their participation: Maurizio Antonioli (University of Milan); Maria Barbara Bertini (State Archives of Milan), Giorgio Bigatti Foundation (ISEC), Luigi Borgomaneri Foundation (ISEC), Alfredo Canavero (University of Milano), Aldo Giannuli (University of Milan), Giuseppe Micheli (University of Milan Bicocca) , Stefano Musso (University of Torino), Marco Soresina (University of Milan).
The seminar will be held at:
ISEC Foundation, Villa Mylius, Sesto San Giovanni (MI)
Saturday, February 27, 2010 - 14.30.
Wednesday, January 6, 2010
Decorations That Are Used In A Wedding
Melancholy versus depression
Marco Solinas
Melancholy versus depression. The fate of two mutually conflicting paradigms
Saturday, January 30, 2010 - hours 9:15 to 13:00 Admission free
Associazione Culturale Punto Rosso Via Guglielmo Pepe, 14 - Milan
MM2 Garibaldi) 
Marco Solinas
Melancholy versus depression. The fate of two mutually conflicting paradigms
Saturday, January 30, 2010 - hours 9:15 to 13:00 Admission free
Associazione Culturale Punto Rosso Via Guglielmo Pepe, 14 - Milan
MM2 Garibaldi)
Tuesday, October 6, 2009
Cheap Essential Oils Canada
aestheticization of politics, politicization of the art
Franco Romano
aestheticization of politics, politicization of the art
It leads the debate Dario D'Andrea
Saturday, October 31, 2009 - hours 9:15 to 13:00 Admission free
Associazione Culturale Punto Rosso Via Guglielmo Pepe, 14 - Milan
MM2 Garibaldi)
In the 30s, Walter Benjamin, reflecting on fascism and Nazism, noted as one of the characteristics schemes was the aestheticism of the policy. Benjamin is not always clear what he meant by this process, then! However, if we integrate his insights with those of contemporary Reich about the hidden meaning or subliminal symbolism of the Nazi and the choreography of the mass demonstrations, we come to understand the beginning of a process that may become clearer to us today, when the media and the audience of the show (as he had guessed Debord), absorbs a substantial part of public policy. The German philosopher and writer saw for the first time in modern history a system of relations between art, political propaganda, mass media (radio) e thought that was planned, as never before in history. Not a new phenomenon at all, of course, but certainly so with regard to its size. But the same can be said for industrial equipment: just remember the role that the futurists had in advertising campaigns for many companies, first of Campari, now cleverly repeated in a TV ad that alludes to the 30s of last century.
So if Benjamin's insight with respect to policy is extremely topical and burning, his proposed response to the aestheticism of the political process and that the politicization of art, turned out to be nothing short of disastrous. Apart from the fervent the time of Russian Futurism and its interaction with the October Revolution, the cultural policy of the socialist states and even the poster art for free and independent and Trotszkj Breton, was not a response to the aestheticism of the least effective policy (both that the process has become macroscopic), in turn, has produced bad publicity and bad art, often marked by an aesthetics of ugliness, as is the case of socialist realism.
The problem, however, was further aggravated in the sense that the process of aestheticization policy has extended to every aspect of culture and civic life. How to stay out? How did (if they did) the artists and writers at the turn taken by the Western society? Christopher Lasch has reason to speak of narcissistic society at all levels? What is the relationship between inflation and inflation as an economic phenomenon of culture that becomes cultural consumerism, which is matched by the publication, for example, a countless number of books that no one was physically able to read? You can also speak to art and culture of stagflation, that is of such a phenomenon for which there is both inflation and stagnation?
Saturday, October 31, 2009 - hours 9:15 to 13:00 Admission free
Associazione Culturale Punto Red
Via Guglielmo Pepe, 14 - Milan
MM2 Garibaldi) 
Franco Romano
aestheticization of politics, politicization of the art
It leads the debate Dario D'Andrea
Saturday, October 31, 2009 - hours 9:15 to 13:00 Admission free
Associazione Culturale Punto Rosso Via Guglielmo Pepe, 14 - Milan
MM2 Garibaldi)
In the 30s, Walter Benjamin, reflecting on fascism and Nazism, noted as one of the characteristics schemes was the aestheticism of the policy. Benjamin is not always clear what he meant by this process, then! However, if we integrate his insights with those of contemporary Reich about the hidden meaning or subliminal symbolism of the Nazi and the choreography of the mass demonstrations, we come to understand the beginning of a process that may become clearer to us today, when the media and the audience of the show (as he had guessed Debord), absorbs a substantial part of public policy. The German philosopher and writer saw for the first time in modern history a system of relations between art, political propaganda, mass media (radio) e thought that was planned, as never before in history. Not a new phenomenon at all, of course, but certainly so with regard to its size. But the same can be said for industrial equipment: just remember the role that the futurists had in advertising campaigns for many companies, first of Campari, now cleverly repeated in a TV ad that alludes to the 30s of last century.
So if Benjamin's insight with respect to policy is extremely topical and burning, his proposed response to the aestheticism of the political process and that the politicization of art, turned out to be nothing short of disastrous. Apart from the fervent the time of Russian Futurism and its interaction with the October Revolution, the cultural policy of the socialist states and even the poster art for free and independent and Trotszkj Breton, was not a response to the aestheticism of the least effective policy (both that the process has become macroscopic), in turn, has produced bad publicity and bad art, often marked by an aesthetics of ugliness, as is the case of socialist realism.
The problem, however, was further aggravated in the sense that the process of aestheticization policy has extended to every aspect of culture and civic life. How to stay out? How did (if they did) the artists and writers at the turn taken by the Western society? Christopher Lasch has reason to speak of narcissistic society at all levels? What is the relationship between inflation and inflation as an economic phenomenon of culture that becomes cultural consumerism, which is matched by the publication, for example, a countless number of books that no one was physically able to read? You can also speak to art and culture of stagflation, that is of such a phenomenon for which there is both inflation and stagnation?
Saturday, October 31, 2009 - hours 9:15 to 13:00 Admission free
Associazione Culturale Punto Red
Via Guglielmo Pepe, 14 - Milan
MM2 Garibaldi)
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